~Nois Saxophone Quartet
University of Missouri Kansas City
Lenfest Hall, Curtis Institute of Music
David Ludwig, director
As the Darmstadt school exerted an aesthetic dominance over the middle part of the 20th century, it stimulated a strong reaction. Composers worldwide rejected the stylistic orthodoxy of the post-war European avant-garde in favor of compositional techniques that drew from eclectic sources-from ancient sounds to popular music, jazz, and indigenous cultural traditions. A new group of American minimalists, neo-Romantics, and "downtown" composers emerged to create a new ecology of vivid sounds and vibrant rhythm that redefined new music and initiated the post-Modern era of today.